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X-WR-CALDESC:Events for Sutton FilmMakers
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DTSTART;TZID=UTC:20260407T194500
DTEND;TZID=UTC:20260407T220000
DTSTAMP:20260523T201524
CREATED:20260128T172619Z
LAST-MODIFIED:20260406T084930Z
UID:7139-1775591100-1775599200@suttonfilm.co.uk
SUMMARY:The Basics Of Film Editing
DESCRIPTION:Session led by Peter Leverick \n\n\n\n\n\nIf you’ve ever sat in front of a timeline and thought\, “I know what I want this scene to do\, but it’s not landing”\, this evening is for you. We’re keeping it simple and practical\, a night focused on the basics of film editing and the core decisions that make a sequence feel clear\, natural\, and emotionally right. \n\n\n\nWe’ll work through the three questions that sit underneath almost every edit: \n\n\n\nWhen to cut\n\n\n\nSometimes the cut is obvious. Sometimes it’s a tiny moment you can’t quite describe\, but you can feel it. We’ll explore the cues that tell you it’s time to move on\, pace\, performance\, energy\, eye movement\, and even breathing. \n\n\n\n\n\n\n\n\n\n\n\n\n\nWhy to cut\n\n\n\nCuts aren’t just there to shorten things. They shape meaning. They control what the audience notices\, what they miss\, what they expect\, and how they feel. We’ll look at the most common reasons for cutting\, to tighten rhythm\, to hide problems\, to heighten emotion\, to build tension\, to reveal information at exactly the right time. \n\n\n\nWhat to cut to\n\n\n\nThis is where the basics of film editing starts to feel like storytelling rather than assembling shots. We’ll look at how choosing the next shot can change the mood of a scene\, and how different choices can make the same material feel funny\, unsettling\, calm\, or urgent. \n\n\n\nWe’ll also look at how the basics of film editing shift depending on genre\, because genre is basically a set of audience expectations\, and editing is one of the quickest ways to meet those expectations\, or deliberately play against them. We’ll talk through a few common genres and the sort of cutting style they tend to lean on: \n\n\n\n\nComedy\, timing\, reaction shots\, and how a fraction of a second can make a joke work\, or kill it\n\n\n\nHorror\, controlling what the audience sees\, when they see it\, and how cutting can create dread before anything even happens\n\n\n\nDrama\, staying with performance\, letting moments breathe\, and knowing when not to cut\n\n\n\nSuspense\, tightening the rope slowly\, using pace and withholding information to keep the audience leaning forward\n\n\n\n\nPeter Leverick will also focus on one of the most useful skills an editor develops\, knowing whether the cut feels right. Often the editor’s first clue is simply that something feels off. It might be a timing issue\, too early\, too late\, not held long enough\, or it might be something else entirely\, a mismatch in energy\, a performance beat that’s been cut away\, or a moment that needs a different shot to make the scene make sense emotionally. Peter will share ways to spot what’s actually wrong\, so you’re not just nudging clips around at random. \n\n\n\nWe’ll also cover a couple of common cut types that editors use all the time\, including J cuts and L cuts\, and why you might use them. They’re simple techniques\, but they’re surprisingly powerful for smoothing transitions\, pulling the audience into the next moment\, and making scenes feel more natural without the edit drawing attention to itself. \n\n\n\nThis is a hands on learning night in the sense that it’s all about real decision making\, the sort of stuff you can immediately apply to your own projects\, whether you’re editing on a phone\, a laptop\, or a full editing suite. If you’re new to editing\, it’ll give you a foundation. If you’ve edited a bit already\, it’ll help you understand why some sequences work and others don’t\, even when the footage is decent. \n\n\n\nCome along and sharpen up your instincts\, get clearer on the basics of film editing\, and leave with a few practical ideas you can try the very next time you sit down to edit. \n\n\n\n\n\nNon-members welcome for the evening (first two nights free as our guests) Here is how to find us \n\n\n\nDate: Tuesday 7th April 2026Time: 7:45 pm – 10:00 pm
URL:https://suttonfilm.co.uk/event/basics-of-film-editing/
LOCATION:Sutton FilmMakers Club – Parochial Rooms\, 42 The Broadway\, Cheam\, Surrey\, SM3 8BL\, United Kingdom
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://suttonfilm.co.uk/cms/wp-content/uploads/2019/04/Peter-scaled.jpg
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DTSTART;TZID=UTC:20260421T194500
DTEND;TZID=UTC:20260421T220000
DTSTAMP:20260523T201524
CREATED:20260412T200903Z
LAST-MODIFIED:20260414T210638Z
UID:7257-1776800700-1776808800@suttonfilm.co.uk
SUMMARY:Video Editing Basics\, A Hands On Practical Workshop
DESCRIPTION:Following our previous meeting\, where we ran out of time to get into the practical editing\, this follow on session is all about learning by doing. Members will work with a set of simple clips\, with experienced members on hand to help\, guide and answer questions as they go. \n\n\n\nIf you want to get started with editing but feel more confused than confident once you open the software\, this workshop is a good place to begin. \n\n\n\nThis is a fully practical\, hands session\n\n\n\nThis is a fully practical\, hands on follow on session where members will be learning by actually editing. It is not a lecture and it is not a software demo that you simply sit and watch. The whole evening is built around getting stuck in\, trying things out\, and learning the basics with support from experienced members as you go. \n\n\n\n\n\n\n\n\n\n\n\n\n\nWe will provide a set of simple clips for everyone to work with during the workshop\, so there is no need to bring your own footage. The aim is to help you get comfortable with the core editing process\, bringing clips in\, placing them on a timeline\, trimming them down\, putting them in order\, and turning raw material into a short finished sequence. \n\n\n\nIf you want to bring your own laptop\, your editing software must be installed before you arrive. We will not have time to install software during the workshop\, and internet access at the club is limited\, so please make sure everything is set up in advance. If you do not already have editing software\, Blackmagic DaVinci Resolve is available as a free download and is an excellent place to start. \n\n\n\nWe will also have a small number of editing suites available for members who do not have a laptop to bring. These will be offered on a first come\, first served basis\, as numbers are limited. \n\n\n\nThis workshop is aimed at complete beginners\, as well as anyone who has tried editing before but still feels unsure about the basics. The focus is on doing\, not theory\, so by the end of the evening you should have a much clearer feel for how editing works and more confidence about taking footage and shaping it into something watchable. \n\n\n\nWhat To Bring\n\n\n\n\nYour laptop\, if you want to edit on your own machine\n\n\n\nEditing software already installed before the session\n\n\n\nA mouse\, if you have one\, as it usually makes editing easier\n\n\n\n\n\n\nNon-members welcome for the evening (first two nights free as our guests) Here is how to find us \n\n\n\nDate: Tuesday 21st April 2026Time: 7:45 pm – 10:00 pm
URL:https://suttonfilm.co.uk/event/the-basics-of-film-editing-practical/
LOCATION:Sutton FilmMakers Club – Parochial Rooms\, 42 The Broadway\, Cheam\, Surrey\, SM3 8BL\, United Kingdom
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://suttonfilm.co.uk/cms/wp-content/uploads/2026/04/FCPX-Editing.jpg
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