BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Sutton FilmMakers - ECPv6.15.20//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://suttonfilm.co.uk
X-WR-CALDESC:Events for Sutton FilmMakers
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:UTC
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20250101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=UTC:20260505T194500
DTEND;TZID=UTC:20260505T221500
DTSTAMP:20260503T051908
CREATED:20260414T211852Z
LAST-MODIFIED:20260422T073211Z
UID:7263-1778010300-1778019300@suttonfilm.co.uk
SUMMARY:Shot Composition and Framing\, Making the Audience Feel Something
DESCRIPTION:Session led by Owain Dain & Peter Leverick\n\n\n\nHow you frame a shot can completely change the way an audience feels about a scene. The same action can seem tense\, dramatic\, awkward\, powerful\, or uncertain\, simply because of where the camera is placed and how the subject is composed within the frame. \n\n\n\nThis practical and interactive evening will explore how shot composition and framing affect meaning\, mood\, and the audience’s emotional response to what they are seeing. \n\n\n\n\n\n\n\n\n\n\n\n\n\nA Practical Session On Visual Storytelling\n\n\n\nThis session will look at how filmmakers use framing to shape what the audience thinks and feels. We will experiment with simple examples such as making a scene feel dramatic\, making one person look powerful\, making someone appear confused\, or making a character seem uncomfortable or exposed. Peter will also talk about some of the psychology behind these choices and why certain framings create particular reactions. \n\n\n\n\n\n\n\nThis will not be a dry theory session. The evening is designed to be hands on and discussion based\, with members looking at framing choices in practice and exploring how small changes in camera position\, lens choice\, headroom\, distance\, and angle can alter the emotional meaning of a shot. \n\n\n\nWe will also break up the practical work with selected clips and examples from well known directors\, looking at how they use composition to guide attention\, suggest relationships\, create pressure\, or reveal something about a character without saying it directly. \n\n\n\nThis session should be useful for directors\, camera operators\, editors\, and anyone who wants to become more visually intentional in the way they shoot. It is also ideal for newer members who want to understand why some images feel strong and cinematic\, while others feel flat or unclear. \n\n\n\nWhat To Expect\n\n\n\n\nInteractive discussion and practical framing exercises\n\n\n\nExamples of how framing changes emotion and meaning\n\n\n\nSelected clips showing how well known directors use composition\n\n\n\nA clearer understanding of the psychology behind visual choices\n\n\n\n\nYou do not need to bring any equipment for this one\, just your interest in filmmaking and a willingness to get involved. \n\n\n\n\n\nNon-members welcome for the evening (first two nights free as our guests) Here is how to find us \n\n\n\nDate: Tuesday 5th May 2026Time: 7:45 pm – 10:00 pm
URL:https://suttonfilm.co.uk/event/shot-composition-and-framing/
LOCATION:Sutton FilmMakers Club – Parochial Rooms\, 42 The Broadway\, Cheam\, Surrey\, SM3 8BL\, United Kingdom
ATTACH;FMTTYPE=image/jpeg:https://suttonfilm.co.uk/cms/wp-content/uploads/2026/04/shot-composition-hero.jpg
END:VEVENT
END:VCALENDAR